Tutorial 6: Two-Handed Signs

The most usual pattern for a one-handed sign is HIPO, meaning Hand, Interaction, Path, Other. The Hand is always the first thing we write, but the other three things are written in whatever order the sign requires, and can be missed out or repeated.

For a two-handed sign, we do exactly the same thing for the passive hand, as well as the active hand. We write the two hands separated by an apostrophe. The passive hand comes first (whether you’re right-handed or left-handed, the passive hand always comes first):

u1’1ttor TRY/ATTEMPT (palm down, passive-hand index finger, active-hand index finger thumbside of hand touches thumbside of hand, active hand moves forward repeatedly).

The u at the start of the passive Hand here tells us that the passive hand is palm down and the 1 tells us that the index finger is extended. Then we have tt as the Interaction: the thumbside of the active hand touches the thumbside of the passive hand. And then we have the Path: o to say that the hand moves forward and r to say that this is repeated.

We try not to duplicate the same information in both hands. When the active hand part touches a part of the face, body, or passive hand, we consider the opposite part of the hand (in this case the blade), to be distant from the touched part. So in this case the fact that the passive palm is downwards means that the active palm is downwards too.

Something else that’s very important is that the passive hand doesn’t move, or if it does, it moves only to mimic the active hand in some way. Hippotext is designed to take advantage of this, so that we don’t normally write passive hand movements. Paths and Interactions are movements (the Interaction involves a movement of the hand towards the part of the body touched), so we normally write only the Hand on the passive part of the word. This is why we don’t write tt on the passive side in u1’1ttor.

Now let’s write a very similar sign:

‘u1jtt SAME (mirror sign, palms down, index finder handshapes move inwards until thumbsides of hands touch).

Here, we’ve written an apostrophe, but left out the passive hand. This means that the sign is symmetric, as if reflected in a mirror running down the middle of the body, in the way illustrated by the comedian Harry Worth in his BBC television series. As you see, the passive hand is merely mimicking the active hand: it doesn’t have a written movement of its own.

We can also write two apostrophes at the beginning of a word to indicate a cyclic or see-saw sign. These are signs where the passive hand mimics the active hand by staying on the opposite side of the mid-point between the hands:

”nbuvr BALANCE/JUDGEMENT (see-saw sign, palms up, flat hand, active hand moves down and up repeatedly).

The letter v written after something in Hippotext generally means to reverse the thing. So the movement is downwards, which reverses to upwards, then the r says that this repeats. So vr generally gives a wagging motion.

”wxoucr I SIGN TO YOU (cyclic sign, spread hand, curve forwards and downwards and continue to complete full circle, repeat).

As always, ou means that the hand moves forward and downwards in a smooth curve. Adding a c after this means that the hand keeps moving until it completes the circle which has been started by ou.

As an exercise, try reading or describing the following signs: ‘nwxojcr, ”aoucr.

— Sandy Fleming

Tutorial 5: The Body

We’ve seen how to write parts of the head and parts of the hand, and how we can write an Interaction by writing a hand part followed by the head part that it touches (or just comes near). Now we’re going to learn the letters we use for the parts of the body. These are used just like the head parts: we write one after a hand part to say which part of the body it touches.As you see, there aren’t that many to learn. As for the head and face, we don’t worry which side of the body these are on, except for the shoulders, for which we use the letters i and j. The above diagram shows i and j for right-handed signing. If you sign left-handedly, the i and j will need to be switched round, as for the i and j of the direction letters. Whether you’re left-handed or right-handed, the i refers to this shoulder (the one on the side of the body nearest the active hand) and the j refers to that shoulder (the one on the opposite side of the body from the active hand).

Most signs are made on the front of the upper body, but there are three others not shown in the diagram: the side of the body, the front of the thigh, and the lower leg. The full list is:

g lower leg
i this shoulder (usually the front of the shoulder)
j that shoulder (usually the front of the shoulder)
o chest
p upper arm
q forearm
r side of body (hip)
v neck
x back
y front of thigh

I wouldn’t be surprised if you feel that this is not enough: where is the stomach, for example? Later we’ll learn simple ways of extending the number of surfaces we can write, and everything will be covered.

Now you can write signs in which the hand meets with parts of the body, for example:

ado MINE (fist, palm near chest);
bdor LIKE (flat hand, palm taps chest).

I need to clarify a few points about these. Notice how in ado, the palm is facing the chest but can’t physically touch it. This doesn’t stop us from writing it and being able to read the meaning clearly. In Hippotext, we write the hand part which it would be if the hand were the flat hand, just as we do for hand configurations.

Many signers will sign bdor using the spread hand, rather than the flat hand (b). Signing is usually performed in a relaxed manner, so that the hand may be held relaxed with the fingers not firmly together. Where a sign is seen to be variously signed with the flat or spread hand, we prefer to write the flat hand (b).

Can you read the following signs: btj, nbliu? If you don’t know BSL, try to write out descriptions of how the signs are executed.

— Sandy Fleming

Tutorial 4: How to Cheat (a little bit!)

In earlier tutorials we described three things we can use to define parts of signs:

  • the Hand (H), in which we write the hand/arm configuration followed by the handshape;
  • the Interaction (I), in which we write the hand part and the head or body part which it touches;
  • the Path (P), in which we write direction letters to describe a smoothly curving path through space.

There’s one more thing, which is the last thing we need to fully describe a one-handed sign. We call this ‘Other’ (or ‘O’, for short), because it can be used to write anything that is awkward or impossible to write with the other three things. So a full manual sign is made of four parts: Hand, Interaction, Path, Other. As always, we can write these using just their initial letter, and a typical ordering for these in a sign is HIPO… which is why I’ve called the writing system Hippotext!

As for other orderings, the Hand is always written first, the others can be written in whatever order is best for the sign. So HIPO, HIP, HI, HP, HPI, HOI and suchlike are all orderings you might find yourself using.

The Other elements are recognisable because they’re written as double letters. We have the following:

  • qq forearm twists repeatedly;
  • rr hand flaps repeatedly from the wrist;
  • vv stress (sign is executed with muscular stress).

Stress (vv) is a feature of sign languages which isn’t covered by the H, I or P elements, so we need an ‘Other’ way of writing it: ‘buvv MUST (two flat hands, stressed downwards movement).

For the other two, qq and rr, it takes four letters to write these using H, I and P, but more importantly, it takes a lot of thought to compose them correctly. Since these are both natural and easily-recognisable features of sign languages, we give them this special Other notation to make them easy to write and think about:

uarr YES (palm down, fist, hand flaps at the wrist);

uonaqq NO (palm down, fingers forward, forearm up, fist, forearm twists repeatedly).

Here’s an exercise. In BSL you might try to get the attention of someone away in front of you by stretching out your arm ahead of you with the palm down, and flapping your hand. You’d be using the w handshape, but with the thumb extended. Can you write this? Take your time and think carefully about each part of it.

We’ve now covered all the basics of writing one-handed signs in Hippotext. To complete our knowledge we will need to learn how to write two-handed signs, letters for body parts and how to create more handshapes from the basic ones we already know.

— Sandy Fleming

Tutorial 3: Hands Moving through Space

In the previous two tutorials we showed how to configure the hand and arm, and to specify a handshape for the sign. We also showed how to add an interaction between a part of the hand and the part of the face or head (but later we will extend this to the whole body). We call the hand/arm/handshape configuration the Hand (with a capital H). We call the hand part to body part diphthong an Interaction (with a capital I).

I’d like to stress that the Hand can only occur once in a one-handed sign. But the Interaction can occur as often as you want. An example of a BSL sign with two interactions is HEARING. This could be described as “First finger pad touches ear, then the thumbside taps against the mouth”. This is written as 1batmr, meaning HEARING. It’s a handshape followed by two interactions: 1 ba tmr. When we write the letter r after something, it means that it’s repeated. So tm (thumb side of hand touches mouth) is repeated, causing it to tap against the mouth.

Once the hand has been written, we can use direction letters again, but now they will mean the direction in which the hand moves through space (downwards, upwards, forwards, backwards, outwards, inwards). We call this the Path, with a capital P. Consider the BSL sign for CLAIM, which could be described as “palm backwards, fingers and forearm upwards, flat hand moves forwards and downwards”. So this can be written snnbou.

Notice that when we use more than one direction letter together in the Path, they blend into a smooth curve. The hand orientation doesn’t stay fixed, it follows the curve:

It’s very usual to see signs which have an interaction followed by a forwards path:

SEE 1beo (1 be o: the index finger pad is near the eye and moves forwards)
SAY 1bmo (1 bm o: the index finger pad is near the mouth and moves forwards)

Signs like these are directional and so might be written with other directions than straight forwards, some directions being diagonal. We will see later how to write diagonal directions.

We might also see the opposite:

SEE-ME 1sbe (1 s be: the index finger pad moves backwards to near the eye)
SAY-TO-ME 1sbm (1 s bm: the index finger pad moves backwards to the mouth)

We’ve covered quite a lot of ground in those three short tutorials. Most of what we write in sign uses only the Hand, Interaction and Path, and even facial expression and body language use the same letters in only a slightly different way. In subsequent tutorials, we’ll keep refining and extending these principles until we can write all the signs we need.

As an exercise, try reading the following signs and writing their description (for the purposes of this exercise, it doesn’t matter if you know BSL or if you understand the meaning of the sign, just try to see how it’s executed): bde, adur, J1tn (hints: the first letter or numeral that isn’t a direction letter will be the handshape; remember that the letter r after something means the thing is repeated).

Can you write the BSL sign for EASY in Hippotext (index fingertip taps against cheek)?

— Sandy Fleming

Tutorial 2: Writing Simple Signs

After the arm configuration, we write the handshape. Basic handshapes (from which we can easily create many more, as we shall see) are:This means that the handshape is written in Hippotext by writing the letter. So if we write jnnoa, we’re indicating that the palm, fingers, forearm and upper arm are directed inwards, upwards, upwards and forwards respectively and that the handshape is the fist (all fingers and thumb tucked in).

This isn’t usually enough to write a meaningful sign. Having written everything about the hand, we then need to add a movement of some sort. Take the BSL sign for THANK-YOU, for instance. This could be described as, ‘Flat hand, finger pads touch the chin, hand moves forward.’ To write this, we’ll need to know how to write parts of the hand (for the finger pads) and parts of the head (for the chin). We use the following letters:

and to clarify:

  • Hand Parts
    b finger pads
    d palm
    f fingertips
    h wrist
    k back of hand
    l blade of hand
    t thumb side of hand
  • Head Parts
    a ear
    e eye
    c cheek
    m mouth
    n brow or temple
    s nose
    u chin
    w crown (top of head)
    z back of head

This is a lot of new letters to learn (there’s no need to learn them all at once: just print or draw the picture for reference), but some of them work as memory aids. For example, a looks a bit like an ear, e looks a bit like an eye, and so on. Notice, too, that the hand parts are all ‘tall’ letters. This is helpful for seeing the structure of a word when reading.

Now if we want to write the sign for THANK-YOU, we can go ahead and write bbuo. This means “flat hand (b), finger pads touch chin (bu), hand moves forward. Notice how after the hand is written, any direction letters written describe the direction in which the hand is moving.

You might be wondering where the hand/arm configuration went. Shouldn’t we write jnn at the beginning of the sign to say that the palm is pointing inwards, and the fingers and forearm upwards? In fact we don’t: touching the chin with the finger pads naturally brings the hand and arm into this position, so we don’t need to write that.

Try this exercise.

What would you say the BSL sign btn means? Write a description of how it is executed.

— Sandy Fleming